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Profile

A constantly expanding portrait of the man and his work!

Mamoru Tanabe is a Tokyo based singer and songwriter. His songs are bitter-sweet portraits of life and love. His experience of modern Japanese life is wryly humorous but his themes are serious and universal.
When I think of my life I often forget the small things that make me happy. Going for a walk, seeing a kind face, eating something really good, spending a day doing nothing with someone I love. But listening to Mamoru Tanabe's music I am reminded of all the small happinesses and sadnesses that make my life. And, somehow, because they are such ordinary things they become important again.
In some ways Mamoru Tanabe's career has been opposite to many singer-songwriters. His early albums  Dream Memory (1994) and Eyes Wide Open But Still Asleep (1995) were on the major Sony label. The songs were smoothly produced, seemingly aimed at the pop mainstream. Production, whilst not entirely suppressing Tanabe's idiosyncratic lyrics, tended toward the romantic. 
Dobojide ("Why?") (1996) marked a radically different approach. The starkly produced songs were spare, personal, ironic, and often dark, without any of the romanticism of the earlier two albums. Whilst not easy listening by any means, this album is a favourite of many Mamoru Tanabe fans.
Dobojide may have been somewhat cathartic for Tanabe, for his next album, Young American (1998), was much more upbeat, whilst retaining the personal voice he had found. This album sets the themes that are to predominate in later material: the social commentary of 'America Taught Us All', the sprawling love comedy of 'Hawaii Song' and ennui of 'Boredom and Peace'.
With the next album, Love Comedy (1999), Tanabe seemed to have found a much more consistent and slightly rockier sound. From the deeply personal 'From a Far Country' to the upbeat celebration of 'Fireworks', the songs continue to explore the meaning of love, life, friendship and adulthood. The standout track is the anthemic 'Playboy Song', a portrait of a man's development as a "world champion" seducer - from first kiss to drunken success and onward! This might seem somewhat misogynistic but Tanabe's self-effacing humour is always present and the song is a sing-a-long hit with the female fans at live shows.
 

© William Stapley 2001, 2002

 

Last Updated 10/12/04